Browse the source records

Browse 459 released source records below. Every photo provides its credit and source after your guess; unreleased daily photographs stay out of this list to keep the challenge fair. Opening these records may reveal answers to practice photographs.

421–440 of 459 source records
  • Two avenues from the top of the arch

    FOTO:FORTEPAN / MZSL/Ofner Károly

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 41984 and frozen Commons caption both give 1964. Upload and scan timestamps were excluded from the capture date. The full original was matched to Arc de Triomphe rooftop, Paris. The independent named-site record osm-way226413508 gives 48.873778200000004, 2.2950353999999997. A 250 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The Arc de Triomphe facade and radiating street geometry identify the monument footprint. A 250 metre allowance covers the monument, rooftop viewpoint, surrounding roundabout and first avenue frontages, rather than a Paris city coordinate. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / MZSL/Ofner Károly; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: An elevated view looks down two tree-lined avenues, with the stone edge of the viewing platform at the left. Natural film marks retained; no added labels, synthetic details or generative changes. The radiating avenues identify the Arc de Triomphe viewpoint; small cars provide only broad mid-century clues.

  • Pedestrians below the cathedral portals

    FOTO:FORTEPAN / MZSL/Ofner Károly

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 42016 and frozen Commons caption both give 1965. Upload and scan timestamps were excluded from the capture date. The full original was matched to Santa Maria del Fiore cathedral, Florence. The independent named-site record osm-way43768260 gives 43.77311655, 11.2565741. A 150 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The original shows the distinctive three west portals and rose windows of Florence cathedral. A 150 metre allowance covers the cathedral footprint and facade forecourt. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / MZSL/Ofner Károly; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: A richly patterned cathedral facade towers over a handful of pedestrians and pigeons at street level. Natural film marks retained; no added labels, synthetic details or generative changes. The marble facade identifies Florence cathedral; the small figures offer only broad clothing clues for the year.

  • Traffic beneath Vienna’s shop signs

    FOTO:FORTEPAN / MZSL/Ofner Károly

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 42034 and frozen Commons caption both give 1959. Upload and scan timestamps were excluded from the capture date. The full original was matched to Wollzeile at Postgasse, Vienna. The independent named-site record osm-node60143984 gives 48.2077502, 16.378412. A 200 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The readable Postgasse plate and the shop-lined view agree with the source caption. This node is shared by Postgasse and Wollzeile, not the midpoint of either street. A 200 metre allowance covers the photographed first blocks. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / MZSL/Ofner Károly; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: Cars crowd a narrow shopping street beneath projecting store signs, with a Postgasse street plate at the corner. Natural film marks retained; no added labels, synthetic details or generative changes. The German signs and corner street plate locate Vienna’s Wollzeile; rounded saloons and a Volkswagen van indicate the late 1950s.

  • Crossing outside the postwar Westbahnhof

    FOTO:FORTEPAN / MZSL/Ofner Károly

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 42038 and frozen Commons caption both give 1959. Upload and scan timestamps were excluded from the capture date. The full original was matched to Westbahnhof passenger hall, Vienna. The independent named-site record osm-way9881798 gives 48.196804799999995, 16.33767775. A 200 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The distinctive clock and glass-fronted postwar passenger hall match Westbahnhof’s preserved original hall at Europaplatz 2. Use this building footprint, not the long railway yard or later shopping additions. A 200 metre allowance covers the hall and forecourt. The railway operator documents the opening of the rebuilt Westbahnhof and its distinctive glass facade, corroborating the photographed postwar hall. https://konzern.oebb.at/de/ueber-den-konzern/geschichte/1945-1955-der-wiederaufbau/modernisierung City account identifies the 1949–1954 hall and its preservation within later station development. The answer uses the hall footprint, not the modern railway yard. https://presse.wien.gv.at/2008/09/12/westbahnhof-vom-nachkriegsgebaeude-zur-bahnhofscity Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / MZSL/Ofner Károly; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: Pedestrians cross a station forecourt in front of a broad glass facade, large clock and rows of flagpoles. Natural film marks retained; no added labels, synthetic details or generative changes. The postwar station hall identifies Westbahnhof; coats, skirts and the passing car provide late-1950s clues.

  • An afternoon walk in Grinzing

    FOTO:FORTEPAN / MZSL/Ofner Károly

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 42055 and frozen Commons caption both give 1959. Upload and scan timestamps were excluded from the capture date. The full original was matched to Himmelstraße and Holy Cross church, Grinzing, Vienna. The independent named-site record osm-way100961598 gives 48.2566161, 16.339642949999998. A 200 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The onion-domed clock tower and source Himmelstrasse caption identify Holy Cross parish church at Himmelstraße 23 in Grinzing. The 200 metre allowance covers the church and adjacent street approach, not central Vienna. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / MZSL/Ofner Károly; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: Pedestrians in coats walk along a village-like street toward an onion-domed church tower, passing a tobacco kiosk. Natural film marks retained; no added labels, synthetic details or generative changes. The Austrian Tabak-Trafik sign and distinctive Grinzing church tower locate the scene; coats offer broad mid-century dating clues.

  • A small boat below the angel bridge

    FOTO:FORTEPAN / MZSL/Ofner Károly

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 42145 and frozen Commons caption both give 1933. Upload and scan timestamps were excluded from the capture date. The full original was matched to Ponte Sant’Angelo, Rome. The independent named-site record osm-way134399943 gives 41.90189315, 12.46642735. A 200 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The line of angel statues and broad stone arches identify Ponte Sant’Angelo, corroborating the source caption. A 200 metre allowance covers the bridge and nearby embankment viewpoint. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / MZSL/Ofner Károly; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: A small boat floats below a stone bridge lined with statues, with buildings and a moored vessel beyond the arches. Natural film marks retained; no added labels, synthetic details or generative changes. The angels and bridge arches identify Ponte Sant’Angelo; boats and the riverfront provide only broad dating clues.

  • Ponte Vecchio before the war

    FOTO:FORTEPAN / MZSL/Ofner Károly

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 42156 and frozen Commons caption both give 1933. Upload and scan timestamps were excluded from the capture date. The full original was matched to Ponte Vecchio, Florence. The independent named-site record osm-relation5342094 gives 43.76802295, 11.25314745. A 300 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The bridge buildings and three river arches identify Ponte Vecchio. A 300 metre allowance includes the bridge and close elevated east-bank viewpoint; the prewar riverfront is retained without synthetic restoration. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / MZSL/Ofner Károly; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: An elevated view shows buildings projecting over a three-arched bridge and dense houses along the riverbank. Natural film marks retained; no added labels, synthetic details or generative changes. The inhabited bridge identifies Florence; the prewar riverfront and sparse visible activity provide broad historical clues.

  • A steamer crosses the San Marco basin

    FOTO:FORTEPAN / MZSL/Ofner Károly

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 42336 and frozen Commons caption both give 1930. Upload and scan timestamps were excluded from the capture date. The full original was matched to San Marco waterfront seen from San Giorgio Maggiore, Venice. The independent named-site record osm-relation7932554 gives 45.43376035, 12.3396096. A 1200 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The Doge’s Palace diamond-pattern facade, adjacent basilica and winged-lion column identify the Piazzetta. The close street scene receives 200 metres; the cross-basin panorama receives 1200 metres to include San Giorgio Maggiore camera tower, the immediate waterfront and the farther church towers visible in the full frame. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / MZSL/Ofner Károly; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: A two-funnel steamer crosses the water beneath an elevated view of the Doge’s Palace, basilica and bell tower. Natural film marks retained; no added labels, synthetic details or generative changes. The Doge’s Palace and San Marco bell tower identify Venice; the steamer offers broad interwar dating clues.

  • Pedestrians beside the carved church porch

    FOTO:FORTEPAN / Gyöngyi

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 44210 and frozen Commons caption both give 1961. Upload and scan timestamps were excluded from the capture date. The full original was matched to Stavropoleos Church, Bucharest. The independent named-site record osm-way78444014 gives 44.43178455, 26.0988272. A 150 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The low porch, carved columns and painted arches identify Stavropoleos church. Use the church footprint, not the similarly named street or monastery office; 150 metres covers the facade and adjoining street. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / Gyöngyi; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: Two women walk beside a small church with carved stone columns, painted arches and a richly decorated porch. Natural film marks retained; no added labels, synthetic details or generative changes. The carved porch identifies Stavropoleos; pedestrians’ clothing supplies only broad mid-century dating clues.

  • The three towers of the Patriarchal Cathedral

    FOTO:FORTEPAN / Gyöngyi

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 44240 and frozen Commons caption both give 1957. Upload and scan timestamps were excluded from the capture date. The full original was matched to Patriarchal Cathedral, Bucharest. The independent named-site record osm-way232296927 gives 44.42456405, 26.097949550000003. A 150 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The three towers, porch columns and facade identify the Patriarchal Cathedral. The small cathedral footprint is the answer, with 150 metres covering the adjacent forecourt; the separate bell tower is not substituted. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / Gyöngyi; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: Three church towers rise above a columned porch, with part of a bus visible at the edge of the foreground. Natural film marks retained; no added labels, synthetic details or generative changes. The three towers and porch identify Bucharest’s Patriarchal Cathedral; the small vehicle fragment gives limited dating help.

  • The clock beside Christ Church Highbury

    FOTO:FORTEPAN / Korenchy László

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 44403 and frozen Commons caption both give 1930. Upload and scan timestamps were excluded from the capture date. The full original was matched to Christ Church and Highbury Clock Tower, London. The independent named-site record osm-way30476127 gives 51.5525183, -0.09871355. A 150 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The Gothic window, church spire and adjacent freestanding clock match Christ Church Highbury, whose own site gives 159 Highbury Grove. A 150 metre allowance covers the church, clock and street viewpoint. The church’s official page identifies its building at 159 Highbury Grove. https://www.christchurchhighbury.com/our-building-hire-space Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / Korenchy László; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: A freestanding clock tower stands beside a Gothic church with pointed windows and a tall spire. Natural film marks retained; no added labels, synthetic details or generative changes. The paired church and freestanding clock identify Highbury; sparse street activity leaves the year difficult to infer.

  • Scaffolding above the riverside weir

    FOTO:FORTEPAN / Mészáros Zoltán

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 45266 and frozen Commons caption both give 1961. Upload and scan timestamps were excluded from the capture date. The full original was matched to Smetana Museum and Old Town water tower, Prague. The independent named-site record osm-node1201707824 gives 50.0856129, 14.412925. A 600 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The decorated Smetana Museum waterfront facade and adjacent Old Town water tower identify Novotneho lavka. The source places the camera on Charles Bridge. A 600 metre allowance covers the bridge viewpoint, museum, weir and immediately visible embankment frontage. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / Mészáros Zoltán; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: Scaffolding covers a decorated riverside building below a clock tower, with a weir and small boats in the foreground. Natural film marks retained; no added labels, synthetic details or generative changes. The water tower and Smetana Museum identify Prague’s riverbank; the scaffolding and boats offer limited year clues.

  • Visitors at the Gate of Heavenly Purity

    FOTO:FORTEPAN / Kina

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 45704 and frozen Commons caption both give 1959. Upload and scan timestamps were excluded from the capture date. The full original was matched to Gate of Heavenly Purity, Forbidden City, Beijing. The independent named-site record osm-way638807674 gives 39.917833200000004, 116.3907047. A 200 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The archive identifies the Gate of Heavenly Purity. The full frame shows its single roof tier, three doorways, marble stairs, lions and bronze vats, agreeing with the Palace Museum courtyard layout. The small gate footprint supplies the coordinate; 200 metres covers the gate and viewing courtyard, not the entire Forbidden City. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / Kina; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: Visitors stand below a broad tiled gateway with marble steps, stone lions and large bronze vessels. Natural film marks retained; no added labels, synthetic details or generative changes. The imperial gateway and courtyard locate the Forbidden City; the visitors’ clothing provides a limited mid-century time clue.

  • Crossing the angel-lined bridge

    FOTO:FORTEPAN / Krasznai Gyula

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 45905 and frozen Commons caption both give 1971. Upload and scan timestamps were excluded from the capture date. The full original was matched to Ponte Sant’Angelo and Castel Sant’Angelo, Rome. The independent named-site record osm-way8035487 gives 41.903076150000004, 12.466331199999999. A 300 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The cylindrical fortress, angel statues and bridge approach identify Castel Sant’Angelo from Ponte Sant’Angelo. The castle footprint and 300 metre allowance include the fortress and complete bridge approach. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / Krasznai Gyula; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: Visitors cross a bridge lined with angel statues toward a massive circular fortress. Natural film marks retained; no added labels, synthetic details or generative changes. The bridge statues and cylindrical Castel Sant’Angelo identify Rome; visitors’ clothes offer clues to the early 1970s.

  • A cyclist crosses Piazza del Plebiscito

    FOTO:FORTEPAN / Krasznai Gyula

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 45955 and frozen Commons caption both give 1971. Upload and scan timestamps were excluded from the capture date. The full original was matched to San Francesco di Paola, Piazza del Plebiscito, Naples. The independent named-site record osm-way27182810 gives 40.8355807, 14.247744. A 300 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The large dome and semicircular colonnade identify San Francesco di Paola on Piazza del Plebiscito. The basilica footprint and 300 metre allowance include its forecourt and the square’s opposite palace edge. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / Krasznai Gyula; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: A cyclist and children cross a broad square in front of a domed church and curving colonnades, with cars nearby. Natural film marks retained; no added labels, synthetic details or generative changes. The domed San Francesco di Paola and its colonnade identify Naples; the cars and clothing point toward the early 1970s.

  • Uniforms and shoppers on Ponte Vecchio

    FOTO:FORTEPAN / Krasznai Gyula

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 45979 and frozen Commons caption both give 1971. Upload and scan timestamps were excluded from the capture date. The full original was matched to Ponte Vecchio south end, Florence. The independent named-site record osm-relation5342094 gives 43.76802295, 11.25314745. A 200 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The full frame is on Ponte Vecchio, showing the bridge shops, historic sundial and Torre dei Mannelli at the south end. The bridge footprint supplies the coordinate; 200 metres covers the bridge and both immediate approaches. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / Krasznai Gyula; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: Two uniformed officers stand among shoppers below old bridge shops, a sundial and a stone tower. Natural film marks retained; no added labels, synthetic details or generative changes. The bridge shops, sundial and Mannelli tower identify Ponte Vecchio; the long hair and clothing suggest the early 1970s.

  • A handcart beside the tram tracks

    FOTO:FORTEPAN / Urbán Tamás

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 46968 and frozen Commons caption both give 1986. Upload and scan timestamps were excluded from the capture date. The full original was matched to Strada Baniei beside Piata Sfantul Gheorghe, Bucharest. The independent named-site record osm-way230067311 gives 44.433051250000005, 26.10479955. A 200 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The primary explicitly places the worker and tram on Strada Baniei beside Piata Sfantul Gheorghe. The short mapped street segment spans the named square edge. A 200 metre allowance covers the entire short street and adjoining tram-side square, without asserting an exact camera station from this close composition. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / Urbán Tamás; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: A worker in an orange vest pushes a large two-wheeled cart across cobbles while a tram and bundled pedestrians pass behind. Natural film marks retained; no added labels, synthetic details or generative changes. The tram, cobbled street and winter coats give late-socialist eastern European clues; the handcart and clothes help date the scene.

  • Winter shopping on Lipscani

    FOTO:FORTEPAN / Urbán Tamás

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 47173 and frozen Commons caption both give 1986. Upload and scan timestamps were excluded from the capture date. The full original was matched to Strada Lipscani at Strada Selari, Bucharest. The independent named-site record osm-way23489637 gives 44.43185015, 26.10217805. A 200 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The primary identifies Lipscani viewed from Selari. The mapped short Lipscani segment begins at the Selari junction and matches the shop-lined street orientation. A 200 metre allowance covers the foreground vendors and nearby junction; no city-centre default is used. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / Urbán Tamás; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: Winter-clad shoppers pass street tables and textile shop windows along a narrow commercial street. Natural film marks retained; no added labels, synthetic details or generative changes. Romanian shop signs identify the country; winter coats, hats and street displays suggest the late socialist period.

  • A department store above the trolleybus

    FOTO:FORTEPAN / Urbán Tamás

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 47187 and frozen Commons caption both give 1986. Upload and scan timestamps were excluded from the capture date. The full original was matched to Magazinul Bucuresti, Bulevardul Ion C. Bratianu, Bucharest. The independent named-site record osm-way658180879 gives 44.43144125, 26.103028700000003. A 150 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The building has readable Magazinul Bucuresti rooftop letters and distinctive vertical department signs matching the primary caption and mapped department-store footprint. A 150 metre allowance covers the facade, road and pavement viewpoint. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / Urbán Tamás; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: A trolleybus passes pedestrians below a department-store facade covered in large Romanian product signs. Natural film marks retained; no added labels, synthetic details or generative changes. The Magazinul Bucuresti sign identifies the building; the trolleybus, coats and boots provide 1980s clues.

  • A photographer in the weighing-machine mirror

    FOTO:FORTEPAN / Urbán Tamás

    CC BY-SA 3.0
    How this photo was verified

    Primary Fortepan record 47190 and frozen Commons caption both give 1986. Upload and scan timestamps were excluded from the capture date. The full original was matched to Saint Anton Church, Strada Franceza, Bucharest. The independent named-site record osm-way150803286 gives 44.430095550000004, 26.10206275. A 150 metre allowance covers the photographed subject and immediately adjoining scene, not an asserted surveyed camera point. The striped masonry, rounded apse and tower directly behind the orange machine match Saint Anton Church on Strada Franceza. The church footprint and 150 metre allowance include the immediately adjacent pavement. Full-original inspection corrects the shortlist’s telephone interpretation: the device has a weight dial, coin instruction, mirror and weight table. Exact frozen file revision explicitly grants CC BY-SA 3.0. Required credit retained as FOTO:FORTEPAN / Urbán Tamás; original source and license links retained. Display derivatives only resize and re-encode the complete frame. Full original-derived 1600 pixel frame inspected: A photographer is reflected in an orange coin-operated weighing machine in front of a striped brick-and-stone church. Natural film marks retained; no added labels, synthetic details or generative changes. Romanian coin instructions, the mechanical weight dial and camera provide period clues; Saint Anton Church anchors the location.

First page of source records